Steampunk is a great genre, the creativity of those who write within it
is deep and fascinating. With the simple requirements of a world where
clockwork and steam technology have allowed humankind to create
engineering miracles - it is very much sci-fi in the era of Edgar Allen
Poe and HP Lovecraft. Which is why I find myself wondering at the lack
of steampunk horror. Most of what exists is in cos-play and modelling.
As literature, I think a sub-genre of steamhorror is as popular as
sci-fi horror. A minority group within a genre.
Tonia Brown's brilliant steampunk horror novel "The Cold Beneath" has been brought to life in a new audiobook edition by rising star Chris Barnes of Dynamic Ram Audio Productions.
Chris has spent the last year building a portolio of audio book productions for pulp publishers Airship 27 and Pro Se Productions producing such voice talents as Fiona Thraille.
The book itself is well suited to the audio book narrative treatment, written in the first person, a memoir of a dying man trapped in an Arctic hell. Chris' natural Scottish brogue is evident only in the introduction, and when he voices the dialogue of the single Scots character in the story. Other characters inlcude an American and a woman. The accents and voices for each are unique. The rest of the time he reads in the main character's voice, a smooth, warm English accent that is both clearly enunciated and delivered at an easy listening pace.
From a technical point of view the production is professional, and well worth the $9.99 for the full audio book edition. With no music, and no breaks in the story it is very easy to lose yourself in the telling of the tale of bio-mechanical genius Phillip Syntax and the tragic expedition he joins seeking the North Pole.
The characters are detailed and complex, Syntax has a background of betrayal and lost love, the expeditions leader is Gideon Lightbridge, a Civil War veteran with mechanical legs (designed by Syntax). When their prototype airship crashes in the frozen wastes, the true hororr begins.
The Cold Beneath is a masterwork of character, steampunk and above all horror, and like revenge and gazpacho soup, the audiobook version is delivered with a delightful chill. Get a copy, listen to it, you will not be disappointed.
Showing posts with label HP Lovecraft. Show all posts
Showing posts with label HP Lovecraft. Show all posts
Saturday, September 01, 2012
Saturday, March 10, 2012
Tales From The Bell Club
Tales From The Bell Club, published by Knightwatch Press. Edited by Paul Mannering.
Including stories from some fantastic authors from New Zealand, Australia and around the world.
“Welcome to the Bell Club,” he said.
“Commiserations on your membership.”
~ Helen Stubbs, Sayuri’s RevengeTable of Contents:
The Kiss - Jason Nahrung
The Adventure of the Laboratory - Kathleen Dale
The Quarantine Station - Lee Clark Zumpe
A Gentleman's Folly - Phil Hickes
The Widow Dotridge - Douglas J. Moore
Sayuri’s Revenge - Helen Stubbs
Divine Providence - Robert J. Santa
Tell Tom Tildrum - Edward M. Erdelac
Fluke - Lynne Jamneck
Spawn Of The Crocodile God - John McNee
Life and Limb - Andrew Freudenberg
The Girl In The Cabin - Richard Barnes
The Wager - Jeff C. Carter
The Shrieking Woman - Doug Manllen
Saturday, October 15, 2011
The Birth
First published by now defunct magazine 'The Willows,' this story was an homage to HP Lovecraft and the weird Universe he created. It's a pastiche but many great writers have done that, each one adding to the Cthulhu Mythos with their own macabre tales.
All the usual elements are there. An intellectual male, strident in his belief in science, finds himself in a situation that cannot be explained or perhaps survived.
I've always loved HP Lovecraft's stories. Mostly because they don't generally have happy endings. That in itself creates a sense of realism that is lacking in most fiction.
Too often there is the expectation that good will triumph over evil, that the good guys will win. But horror doesn't require that. One of the best elements of horror is when we realise that in fact, we can never be the same again. There can be no return to the safe ignorance of before. The reader, like the protagonist, is transformed by their experience.
All the usual elements are there. An intellectual male, strident in his belief in science, finds himself in a situation that cannot be explained or perhaps survived.
I've always loved HP Lovecraft's stories. Mostly because they don't generally have happy endings. That in itself creates a sense of realism that is lacking in most fiction.
Too often there is the expectation that good will triumph over evil, that the good guys will win. But horror doesn't require that. One of the best elements of horror is when we realise that in fact, we can never be the same again. There can be no return to the safe ignorance of before. The reader, like the protagonist, is transformed by their experience.
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