Showing posts with label SpecficNZ. Show all posts
Showing posts with label SpecficNZ. Show all posts

Thursday, March 21, 2013

Words On The Wind – NZ Book Month Event


Dan Rabarts corralled some great spec-fic writers to be part of a reading at Wellington Central Library on Wednesday night as part of NZ Book Month.

The event was well attended, with at least 60 audience members. Stories, Poetry and excerpts from longer works were read by Tim Jones, Michael Parry, Sally McLennan, Anna Caro, Matt Cowens and myself.

Afterwards there was an opportunity to talk to the audience, and lots of appreciation for the stories I read and the flyers I had prepared for where to buy my books proved popular.
I’ve done several of these public readings before, and other than the lessons I have learned about choosing appropriate content, I also realised that there are some tips on how to do a public reading that I feel qualified to share with anyone planning on doing such an event.
The organisation of the evening was excellent, the PA system and seating was well set up and there were no issues with that. The introductions of each reader were also well done and the material presented was really great.

However, when it comes to reading to a public group, I’d suggest the following:

1. Know your material.  
That means read the story. Not just when writing it or editing it. Actually read the story until you know all the words and the tricky bits and the cadence of the dialogue and prose.

2.   Practice Reading The Story Aloud
This will help you read the story better when you are in front of an audience. It will help you pitch your voice and style to the story. It will make your presentation more natural and give your audience a better listening experience.

3.    Reading To An Audience Is A Performance Art
Make your story come alive! Do character voices, change tone, pitch, cadence and read it with enthusiasm! Get your audience involved in your story. Let them experience it rather than just hear it.

4.    Can You Hear Me Now?
That means, don’t drone in a monotone. Don’t speak to fast. Enunciate your words. As my mother-in-law says, “Use. Your. Top-ah. Lip-ah!”



Relatively simple stuff, but as writers we need to remember that writing a story is only part of the work. To present our stories to a live audience – requires us to work on presentation skills and embrace the audience so they in turn will embrace the experience we are providing them with.




5.        



Saturday, March 10, 2012

Tales From The Bell Club

Tales From The Bell Club, published by Knightwatch Press. Edited by Paul Mannering.

Including stories from some fantastic authors from New Zealand, Australia and around the world.



“Welcome to the Bell Club,” he said. 
“Commiserations on your membership.” 
~ Helen Stubbs, Sayuri’s Revenge






Table of Contents:

The Kiss - Jason Nahrung
The Adventure of the Laboratory - Kathleen Dale
The Quarantine Station - Lee Clark Zumpe
A Gentleman's Folly - Phil Hickes
The Widow Dotridge - Douglas J. Moore
Sayuri’s Revenge - Helen Stubbs
Divine Providence - Robert J. Santa
Tell Tom Tildrum - Edward M. Erdelac
Fluke - Lynne Jamneck
Spawn Of The Crocodile God - John McNee
Life and Limb - Andrew Freudenberg
The Girl In The Cabin - Richard Barnes
The Wager - Jeff C. Carter
The Shrieking Woman - Doug Manllen

Thursday, February 16, 2012

Reformat

It's been a season for reformatting.

First my computer died, and then Damaris' computer died and that put me well behind.
Fortunately this too has passed. I finally got the money together to pay Lyle Perez at www.themadeformmater.com and he did a great job on reformatting the Tankbread manuscript for both ebook and paperback editions.

Coming up I'm reading and MCing the SpecficNZ writers afternoon in Christchurch on 18th March.